While roaming Paris streets, you cannot turn a corner without finding Invader’s (@invaderwashere) mark on the city. From invasions of more recent years, you can clearly tell that Invader grew bolder and more ambitious, both in size and in visibility. Whereas in 2000 you’d see small invasions that required concentrated effort to find it, by 2009 pieces grew enormous and invaded prominent street corners.
Of course, copycats are abound in the city, but it isn’t too hard to tell the real deal from the fakes based on quality of the work from cheap tiles to not so geometric arrangements. If you think you might be fooled, it’s easy to use Flash Invaders to confirm.
Between myself and my travel buddy, we had a ton of fun trying to see who could find the most invasions. Below are some of my favorites that we found.
We had a post last March about Invader’s (@invaderwashere) museum show at Le Musee en Herbe through friends of the blog, but last month we got a chance to visit the beautiful city of Paris for the full experience ourselves. Even better, while exploring the city, we ran into dozens of invasions by the maestro to see what an ambitious endeavor the artist is carrying out around the world, but especially in his hometown of Paris. Please enjoy the photos and our thoughts on the show.
Space Invader may be the only street artist in the world that could exhibit in a children’s museum while still maintaining his street cred and not feel out of place. His whole artistic manifesto seems to be an invitation to embrace our nostalgia and never stop exploring. I knew that Paris was ground zero for Invader’s tiled invasions, and so I could not help but to keep my eyes open and high up to make sure I didn’t miss any. Instead of being on my phone (unless I was playing Flash Invaders!!!) or looking in a travel guide to see where to go next, we wandered the city on foot and followed people into small alleys and large plazas looking for the next invasion waiting for us around the corner. This newest show by Invader called Hello My Game Is… is no different in its mindset.
The show is for children as much as it is for adults. For children, it is full of wonderment and cartoon characters transformed into forms that are not quite right but still very familiar. It’s simply fun and accessible. It’s art without the pretense. For adults, it is a chance to share with our children the superheroes and characters that we idolized and what they meant for us when we were their age. For those without children yet, it’s a chance to be a kid again, kneeled on the floor putting coins into an arcade game machine to play Pong and Pac-Man.
Le Musee En Herbe is a children’s museum made up of 4 small rooms. When I did my first walkthrough I was disappointed that it was so small and that there were not as many Invaders on the walls as I had hoped, but I actually ended up spending 3 hours in it exploring every piece in the show. It’s an intimate setting and it worked better this way. I’m sure that’s exactly how Invader intended it to be.
The show is also super interactive. In the first room, there are 5 old-school arcade game machines from Pong and Pac-Man to Tetris. The games are free to play and almost always occupied by someone. The nostalgia I felt as I squatted down to play the games was overwhelming, but I didn’t remember it being so uncomfortable kneeling in front of an arcade game. I guess I’ve grown a few inches since elementary school. In the second room, there is a control station with many buttons and as you push on each, the large projection screen will display a corresponding image of a past invasion around the world and also light up a red dot next to a replica of it displayed on the wall. In the last room there is a large section on a wall where you can create your own tiled invasions using colored magnets. Kids really got into it here making Minions and other weird creatures.
Invader’s message to attendees of the show is simple. “Have fun, stay for as long as you want, but while you’re here forget about anything else.” The fact that a street artist of such notoriety was invited to show at a children’s museum in Paris is a sign of how far along the genre has come. Being prominently featured in Banksy’s mockumentary Exit Through the Gift Shop probably didn’t hurt either. Regardless, this is a street artist that is breaking laws everywhere he goes putting up his works on walls that do not belong to him. With this show, Invader transcended street art and is clearly blazing his own path.
If you visit the show in person, don’t forget to pick up some stickers from the vending machine! You never know what you’ll get.
Subliminal Projects, Shepard Fairey’s (@obeygiant) skateboard-company-turned-fine-art-gallery celebrated its 21st birthday last night in Echo Park. Artists that supported the gallery over the years filled the white walls with their works, free beers and ciders were flowing, and DJ bounced music off the halls. It looked like several of the pieces were from Shepard’s personal collection, like the Space Invader “Andre the Giant has a Posse” homage. Even Best Damn Art Blog added another Mark Drew piece to the collection. Pretty cool show.
Some of the artists displayed at the show included Shepard Fairey, obviously, Tristan Eaton (@tristaneaton), Invader (@invaderwashere), Albert Reyes, Mark Drew (@markchronic), Barry McGee, Dabs Myla (@dabsmyla), Jim Houser (@jimhouser), and Skullphone (@skullphone), among many, many others.
The anonymous French artist Space Invader is currently showing his latest exhibition called Hello My Game Is at Le Musee en Herbe in Paris, France. According to museum press release, this is Invader’s first indoor exhibition in Paris since 2011. Being that his work brings nostalgia back to our youthful days with 8-bit video games, it seems fitting that his museum show is at a children’s museum, although that is not to say it isn’t equally entertaining and engaging for the adult fans of Invader. The more surprising part is that a children’s museum invited a notorious street “vandal” (Invader has been arrested several times as a vandal for placing his works on the street), but I think that’s more a statement on how street art in general has become accepted by the worldwide mainstream.
His usual repertoire of works is well represented here, from sculptures to invasion “aliases” like those seen on the streets and “Rubik Cubism” works that are usually seen at his gallery shows. The subject matters of the works are just as wide ranging. My favorite work is the scene from the Disney movie Peter Pan made with Rubik’s cube pieces.
Enjoy these highlights from the show. Picture credits go to friends of BDAB in Paris. You know who you are!